I'm a moth to the flame of great photography, especially fashion photography. Recently added to that category for me is the art of street fashion photography. The last few years has seen it become a significant genre both online and in book publishing, complete with its own visual rules and power players. So many people want to be the 'next big thing' in street style photography it has got to the point that walking into any fashion show venue anyplace in the world is akin to a game of British Bulldog.
Of course most senior among the street-style photographers is Scott Schuman; I also appreciate the work of Tommy Ton and Garance Dore. I'm not a fan of Facehunter - his images feel bland and un-engaging to me. But I do have another name to add to my list and that is Phill Taylor.
Taylor is 28 and from Leicester, he is a professional fashion photographer who has worked with serious players, notably Nick Knight, Gemma Booth, Alice Hawkins and Ruth Hogben since graduating with his photography degree in 2008. Last year he started taking street style pictures with his Canon 5D mark II for his girlfriend Hannah Almassi (my former assistant, currently the junior fashion news editor of Grazia), for the magazine's Style Hunter pages, and started a blog with his unpublished works. In a short space of time his blog has gained a large following for its wry and warm written observations of the girls and women he captures, and of course for the wonderful photographs.
His work always stops me in my tracks. Unlike Tommy who has an penchant for the eccentric character (Anna Dello Russo, French turban-loving stylist Catherine Baba) and a sublime eye for capturing details and accessories, Phill has an emotional connection with the girls and women he photographs, and it is not predatory unlike some people I could mention. He captures them being themselves seemingly when nobody (especially a bloke) is
"I learnt a lot from Gemma (Booth) and Alice (Hawkins,)" he told me today when he popped in so we could edit the pictures here to encapsulate five women and five distinct fashion looks that I feel are right for now. "I came to understand a more gentle approach through them. It doesn't feel abusive. When I take a picture, whether it is for a main fashion shoot or for the street style work, I'm guessing what this person is like, and how they are naturally. In a fashion sense I am trying to guess the character they are playing that day. I start a dialogue with them in my head."