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Showing posts with label ethical fashion. Show all posts
Showing posts with label ethical fashion. Show all posts

IS IT OK TO WEAR FUR NOW?

Posted by Bethan Holt, Junior Fashion Editor at Large

I only ask because there is so much of the stuff appearing on the catwalks this Autumn. The fuzzy effect is in practically every major collection but what is so striking is the number of designers who are using real fur to express that idea.

Let me say early on that I am not necessarily pro or anti-fur. In fact, I find the whole issue profoundly confusing. I don't quite understand how anyone who eats meat can then make judgement against someone who chooses to wear fur. As recent news events show, we never truly know what meat it is that we're eating, unless you always buy from a local, trusted butchers who prepare cuts themselves. It is far too black and white to say that leather is fine because it's a by-product of the meat industry and fur is not because those animals die purely for their skin- see this Guardian piece for more clarity on that point. What is definitely true is that leather is commonplace whereas fur is laced with- depending on your viewpoint- glamour, disgust, fascination, beauty and otherworldliness.
Joseph Altuzarra AW13
Last year, I was on my own quite late at night at Waterloo station waiting for my platform to come up. I was wearing a very warm, authentically chocolate brown but nevertheless very much fake fur jacket. A man approached, lurched towards me and began to shout abuse at me for wearing fur. This made me wonder, is there so much of  difference between wearing fur that is authentic looking but ultimately fake and the real thing? Aside from cost, to the onlooker you are portraying the same message whether it's fake or not.

Marc Jacobs AW13
Back to the catwalks. A certain kind of lady, maybe best represented by Anna Wintour, has never stopped wearing fur and certain brands have never stopped using fur. The American Vogue editor has endured very public confrontations with PETA protesters but has stoically carried on wearing her pelts because that's her thing. Then Miu Miu SS13 came along; shamelessly, extravagantly offering up fur coats and stoles alongside denim pencil skirts and dust coats. Miuccia Prada was making a statement by being so blatant with fur a. By using it in her supposedly younger Miu Miu line and b. By pairing it with a casual fabric like denim. The casual/ luxe mix is a key part of this fur story. That man at Waterloo station (and his ilk) is of no concern. The most simple explanation is that designers like Prada and then everyone using fur this season- Joseph Altuzarra, Christopher Kane, Marc Jacobs- are simply answering demand. Jacobs even put a cartoonish fox face on his creations, mimicking the the unashamed way women in the 20s and 30s would wear animals with faces and tails still intact. Fur sells now- the industry has almost doubled in value since 2000 from £5.7 billion to £9.4 billion- and so that is a very good reason for designers to use it in their collections, if they can get round the ethics.

Simone Rocha AW13
Obviously some will not use fur, either because they simply prefer the look of faux, cannot afford to work with  the real thing or have their own ethical problem with animal hides. Simone Rocha's 'Respect your elders' collection was an LFW highlight, inspired by her two Grannies. She used verging on kitsch leopard fake fur to trim collars and make entire sweatshirts and coats. In a really great way, you would never mistake Simone Rocha's girl as wearing the real deal. Away from the fashion weeks, Stella McCartney has just unveiled the newest version of her Falabella bag. McCartney famously eschews leather and fur in her collections but has still managed to tap into the furry mood with the Itsy Bitsy bag, so named after two of the sheep in her very own organic flock whose fleeces have been used to makes the bags. If the horsemeat scandal has made us think twice about the origin of our food, then Stella's option is the fashion equivalent of getting conscientious; good welfare provenance assured.

The kindest way to do the tufty trend: Stella McCartney Itsy Bitsy Falabella £1,150



EXCLUSIVE VIDEO: SUNO COLLABORATES WITH SWAROVSKI

Posted by Bethan Holt, Junior Fashion Editor at Large

In fashion, aesthetic usually comes before ethics. We think first about how lovely a dress is before we think about its backstory. There are a very few labels showing at the big four fashion weeks which shout loud about their conscientious credentials, though it has to be said many of them manufacture in specialist and often local factories. Hot NY label Suno stands out from the crowd, precisely because its first function was to provide jobs and hope in response to economic and political instability in Kenya. It was 2008 and Max Osterweis wanted to find a practical solution to the difficulties he was witnessing in his "long time second home". Suno has travelled quite a trajectory since then. Osterweis and his design partner in the venture, Erin Beatty, have set about ramping up the fashionability of their brand, dressing Kate Bosworth and Solange Knowles as well as earning nominations for the CFDA/ Vogue Fashion Fund two years running. If there's anyone destroying the stereotype that ethical fashion must be fusty and irrelevant, then it's Suno.


Can you spy the twinkle of crystal kneepads? (images via style.com)
Osterweis and Beatty started out using traditional African kanga prints and manufacturing mostly in Kenya. Since then, they have opened further outposts in Peru and India, employing skilled locals. Crucially, their work looks very at home on the New York catwalk. In their show on the evening Storm Nemo hit there were stripy jumpsuits, embroidered jumpers, crisp shirts, lots of tartan and sparkling evidence of their first collaboration with Swarovski. The most original and dazzling result of the hook-up is a crop top and dirndl skirt set, but there were also chunky gems embellishing black neoprene shift dresses. The look was all about "modern armour", Beatty told Vogue. Swarovski have very kindly given FEAL an exclusive first look at the video they have made, showing how Suno used their gems in the collection. "There is nothing so chic as crystal kneepads" exclaims Beatty. So very true, and all the more exquisite given they were crafted by expert artisans in Suno's Indian workshop.



Swarovski also worked with Creatures of the Wind, another show we loved from New York. Check out their collaboration below...



CAN ECO CLOTHES BE BEAUTIFUL? LIVIA FIRTH SAYS "YES"

Posted by Bethan Holt, Fashion Junior at Large

The traditional line to tow on eco fashion is that it is hippy-ish, frumpy and extremely unappealing to anyone who wants to look like they have one iota of style. I do think that's changed a lot of late; H&M's Conscious collection showed that you can do eco and stylish on a mass level while LFW's Estethica exhibition showcases lots of brands doing ethical design in a way that would appeal even to fashionistas who don't worry/ care about where their clothes come from.
Livia Firth in Beulah yesterday
Livia Firth is one of eco fashion's most prolific supporters; through her Green Carpet Challenge she has worked with major designers including Gucci, Prada and Tom Ford to create ethically conscious outfits for the premieres and awards ceremonies she attends with Mr Firth. She also heads up eco-age, an online hub for ethical fashion. Yesterday, Livia unveiled her curation for Yooxygen, the ethical arm of Yoox.com.

Some of Livia's picks for Yoox
 There are a few accessories which she has personally designed including a scarf and necklace which reference her favourite animal, the butterfly. There are feather trimmed cloche hats from the world's only fair trade certified milliner, Pachacuti. Livia has also designed her version of the LBD. "I looked at Audrey Hepburn and her little back dress. It looked cute in the day so I gave my design the option of bows on the shoulders. And then we did the leather belt so you can put it on and be a vixen for the evening". Livia has used factories she trusts in India, Germany, France and the UK to manufacture the designs.
Hat by Pachacuti
Then there are pieces from Livia's favourite labels, all of whom she has built up close personal relationships with over the years. "I hate trends and never look at them" she told me, "none of these pieces are about being trendy. It's about something that is so beautiful you can wear it for years". She's picked coats from Henrietta Ludgate and dresses from Beulah (a Duchess Kate favourite) as well as properly beautiful underwear from Sri Lankan brand Charini. My personal favourite is the clutch by Sofia Retro Bazaar, an Italian brand which uses vintage silks to make one-of-a-kind pieces.

Clutch by Sofia Retro Bazaar
Lingerie by Charini
Livia's motivations for her eco crusade are not just rooted in the usual green concerns. Her Italian roots have played a big role in how she think about clothes. "Italian women wear their clothes for years. They buy good quality pieces which will last" she explains. Livia Firth's buying philosophy is to "never buy anything unless you know you'll still wear it in ten years time". Her manifesto extends to how we see our clothes too. It shouldn't just be about how they look but also what you know about them; "I love the stories of clothes, I like to have a relationship with the story- where it's come from and how it's been made. And then you wear that story". It's a sobering thought for fast-fashion junkies.

Livia Firth's collection and ethical label selection will be available at Yoox.com in September
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