Ask a fashion editor at the end of a busy day of attending catwalk shows what he or she enjoyed today, and you will be met with something a bit like this. "I...er...em.. Oh God, wasn't it Balenciaga this morning? Or was that yesterday? Er, sorry today is just a blur." It happens to everyone, but occasionally great or surprising fashion experiences stand out from a day of shows. Louis Vuitton's awesome steam train with the Marc Jacobs clad models and luggage laden uniformed porters trotting alongside them will stay in my mind for a long time. In London, Richard Nicoll's presentation for AW12 stood out for being totally unexpected and clever.
Nicoll, a feted member of London Fashion Week's young establishment normally presents a conceptual fashion show experience in a modern architectural space. For his Autumn/Winter presentation Richard threw out the so-called fashion show rule-book and set up a space he called "The Factory"at the Institute of Contemporary Art on Pall Mall, to show his collection monikered "Modern Times," in a tongue in cheek reference to the 1936 Charlie Chaplin film. Before you carry on, why not open another window and click this link so you can listen to the music that was playing on the day, created by Daniel Lea at Golden Hum.
 |
| Nicoll created a fashion factory, where make-up artists, dressers, photographers, technicians and himself were workers producing the models To help you decipher what is going on here, observe the rectangular runway. Models walked it before stopping to have their photo taken for Richard's lookbook by Jermaine Francis. Within the runway is the hair and make-up area and two Mac terminals to record all the pictures. Around the runway hangs all 24 outfits from Richard's collection, and behind the plywood backboard models changed before walking out again. |
 |
| A model, with earphones in, stops on the conveyor belt catwalk to have her picture taken. Unlike at a fashion show, when generally the designer is backstage stressing out, Richard was out front, relaxed and chatting away. First he told me what the idea was conceptually inspired by,"I thought about modern work habits and looked to constructivism, Jacques Tati’s 1967 film ‘Play Time’ and industrial factory wear for form and colour references,” he explained. Hence the workman orange, cobalt blue, and neon yellow coloured clothes. To frame the why of this happening Richard was honest, "I didn't want to do a show. For me, personally I have a block when it comes to the show. I think of the concept, then the clothes. I'm just a kid from Perth, it doesn't fit my personality to do conceptual shows. I want the clothes to come first. I wanted to create authentic, simple and sensible clothes women can wear in their daily life."    Looks from Richard Nicoll's Modern Times collection (shot by Jermaine Francis) "Really what this is all about is, I suppose, me making peace with my commercial side," said Richard. "I feel creatively fulfilled. What I am all about now is serving my customer." Then he gave me a quick whoosh around his Factory space, stopping at the Mac terminals for a gaze at the lookbook shoot... |
 |
| The photography studio area which was located inside the catwalk loop |
 |
| Acid colours in Nicoll's AW12 collection |
 |
| All the looks from Richard Nicoll AW12 |
 |
| Cards setting out the look for each model. |
 |
| Nicoll collaborated with Tusting on bags. |
To use the bag it must be charged from the mains power using a cable that magnetically attaches to the outside of the bag. Once the bag battery is full, it will charge handsets for at least two days.
If you are thinking Where Can I Get One?? Join the club. To find out I called Richard who is out in L.A with the British Fashion Council presenting at the London Showrooms and he told me the bag is coming in white, orange, blue and black leather and Net-A-Porter have the exclusive on it. Will update further when I get retail price and in-stock date.
 |
Nicoll, Tusting and Vodafone created the bag (above, and below) which charges your phone for you. |
